The Evolution of a Deck of Cards: Suits

Wednesday, April 6, 2011

By Thomas Kearns


Cards were not introduced into Medieval Europe until the second half of the 14th century. At this time they were referred to as "Saracen Cards," and were brought to Europe by merchants. Cities were burgeoning with rural folk who had survived the Plague and moved to the urban centers. Here, they became a new group of middle class merchants and craftspeople. With the easing of the poverty and ignorance that marked the middle ages, new trade groups, guilds, and universities began to emerge once again, and science was no longer relegated to sorcerers. There was more time for the pursuit of pleasure, leisure, and play.

In the early days of the Renaissance, books, cards and prints were created by hand. Card games were spread across Italy by a society of art appreciators formed at this time. At the end of the--th century many key cities in Europe including Viterbo near Rome, Paris and Barcelona, were able to obtain illuminated manuscripts of card manuals. Traveling artists and scholars spread these manuscripts across the continent and their popularity flourished. Early in the 15th century, a lone artisan was enough to satisfy the demand of a city. By mid-century, however, there became a need for several shops devoted to their creation.

Not everybody welcomed the innovation: the foreign form of entertainment contained a threat to more and morality; gamblers and betters consorted with the devil and during the protestant Reformation the cards were called "devil pictures."

Nonetheless, the fashion persisted. Mary, Queen of Scots liked to bet big even on Sundays and by late 17th century London published The Compleat Gamester, describing over a dozen game types and the basic strategies for all of them. In Venice, special facilities - casini - admitted privileged aristocrats for card games and courtesans. From there, a game called primero spread to Europe and later transformed into poker.

In time, women as well as men, farmers and merchants as well as courtesans and nobles were able to enter the games and found symbols of themselves represented in the cards. A Swedish deck that became very much the rage, was comprised of these suits in order of ranking: sun, king, queen, knight, dame, valet and maid. Those ribald Florentines played with cards that pictured nude dames and dancers, with the dancers being the low suit.

There was no standard number of cards or designs in a deck at that time. The number of cards could vary from 36 to 40 to 52. The suits of the time were symbolic of wealth, tasty victuals, military defense, and sports popular with the court. These were coins, cups, sabers, and clubs. Signs familiar to us were in use in France in the 15th century: in red, Couers (Hearts) stood for the church, carreaux (a rectangular floor tile) represented the merchant class; in black, there were piques (spear and arrow heads) depicting state authority, and trefles (trefoil clover leaf) as a sign of the farmers. Some brave soul at one point along the way ditched the vice-royals for queens.

After a period of time, the deck of cards that we know today took form. 52 cards with- ranks comprising 4 distinct suits. The suits include Spades, Diamonds, Hearts, and Clubs with the Ace, King, Queen, and Jack counting for ten and the rest of the cards, 2 through 10, being counted at their face value.




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